[Note: this transcription was produced by an automatic OCR engine]
DEATH AND DISPOSAL OF THE DEAD 573 in the manner of a bundle of ï¬Årewood—a load which only a Mtemali (ghost) could lift ; at another is a bed of coco—nit fronds ' burnt-out ï¬Åre beside it-clearly the recent couch of a with a ghost ; a few yards further on a long noose of creeper is hanging from a lofly tree and dangling over the path ; stones, approxi- mating in shape to yams are hitched up to poles—said to be the yarns of ghosts; elsewhere are huge water bamboos; lines of stones are found set up along the paths, with a coco-nut, repre- senting a pig, tied to each-—tlie remains of a N imzmgki made by the ghosts during the night ; and everywhere, on every available t branch or creeper, croton and cordyline sprays are bound ree, or suspended, so that one would think that not a single croton ' R d some or cordylinc could be left growing in the district. oun b seen too a garland of the black eroton nimwibmbang trees may e , , (nimwilemet), which in Soniang is the badge of the Nevinbur, ‘f but here of the society Nimangki Misi. These are hung up i <1 a d were a member of this association. ln addition the ece so to all these signs of ghostly activity, sticks, stones, branches, . . d baskets are flung and scattered about the paths in a disor er which suggests the pranks oi a small army of poltergeist. All f tlic deceascd’s these "hoaxes" are prepared by the men o villa e at night during the period when the women are away. 8 Deacon writes of them: “ I am conï¬Ådent that the hoaxes ‘ - ' ' N th less the deceive no one, except possible young girls. ever c ki of them is still one oi the sacred things belonging to the ma ng , . men, therefore respected and reverenced and associated with ‘ TH ret the other mysteries of the men--e.g. the Nimangki e sec societies." During these four days other preparations for the oercmony are going on in the dead mans village, Around the dancing ground are set up alternately a number of tall poles (trees shom of their branches) and barnboos and coco-nut fronds are inter- laced between these near the ground so as to form a low fence or screen. Carved and painted ï¬Ågures representing ghosts are ' ‘ th danci fastened to the poles on the side facing away from e ng- ground ; and both poles and bamboos are decorated with pigs’ jaws, conches, and crotons. A similar but smaller circular cnclosure is erected near the path leading to the village. Near th on s in the enclosed dancing ground a number of structures ° 8 8 called Mai wubnlang are set up, consisting oi two upright poles