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[Note: this transcription was produced by an automatic OCR engine]
.1 s‘ '8 >, 1 31 ¢ 1 1 1 1 . ». r 1 _, . ; r Elf r. . » ,7. . THE NALAWAN SOCIETY 385 is also referred to thus. It may be questioned, however, whether this is really an indication that one who aspires to enter these Nalawrm must previously be a member of Nimzmgki Neliwis. The informants seemed to imply that there was no such inter- relation between the two societies as exists, for instance, between the Sukwe and Tammie of the Banks Islands.‘ The ceremonial of entrance into a Nalawan has a great deal in common with the ceremonial of entrance into a Nimnmgki grade; the same objects are used in the same way, identical structures are erected for certain parts of the ritual, and each grade has its distinctive croton, naai limbo or “ holy tree ", two sprays of which are worn by men of the Nalawzm tucked into the belt, at the back, one on either side. Moreover many of the higher grades of the Nalau/an have the same names as those of the Nimzmgki, and, where this is so, the ceremonial objects characteristic of the N almr/an grade (with the exception of the temes) are also characteristic oi that grade in the Nimnmgki, Thus the post with carved faces, numbou timbaramp, is set up in the same position and plays the same role in the grades called Numbou Timbavamp in both societies. Other objects used in an identical or very similar manner in both are the nisamp (called in the Nimamgki, mbmzgap), the sesmandur, and the navel nambar (the stone carved with a human face). Never- theless, the N nlawan differs from the Nimangki in certain respects. While the latter appears to be mainly of secular importance, the former would seem to have a more deï¬Ånitely religious flavour, in that it is intimately connected with funeral ceremonial. As will be seen later, the whole course oi a rnan’s death rites is determined by his membership of different Nalau/an grades, while his position in the Nimzmgki influences only such minor details as the‘ decoration of the corpse and the dancing ground. To the Nalawan also belong the hollow wooden cylinders called temes naainggol, into which members of the society blow, thus producing a booming sound, which to the uninitiated is the voice of the ghosts crying or " singing ". The Nimangki has no such secret sound, neither has it anything comparable to the hats, masks, or head-dresses called temes mbalmbal, of which each grade in the Nalau/an has one, made in a characteristic way, which is worn during part of the N aluwzm rites. Both of these, ‘ v. W. H. R. Rivers, 1914, vol. ii, p. 207. cc /// ll
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