[Note: this transcription was produced by an autoMatic OCR engine]

4
I»
'~i—

,
1;
1
£<"
(2) Ning
THE GONGS 505
lal N aanbughoi.
gt
"Mother" w ‘I w ‘I .| '1 W ’1
gangs
MediuM
gongs
_!
E4
J J
E4
J J
§J
_I _l
Q4
Hand gongs w w w
(3) UnnaMed.
“ Mother "
gangs
MediuM
SW85
Handgongs _‘ w _‘ 0| _| 1 1 0‘ ,
' SoMe
others h
av
instance 1
" Mother "
gangs
MediuM
SW85
‘i1ï¬Å7jï¬Å7ï¬ÅT
1-11 -ifl-ifl-1
of these LarnbuMbu rhythMs are based on bird calls ;
e " inversions â€ù representing call and answer, as for
~11~-1‘-111-1 ‘
$511 "=5 "1 i ~25? I
MMhuufluuuu ,
“ Mother "
gangs
MediuM
gouge
1"W"1"1“ _y
11-1 ~-11* 1~A:§§er'- 1
Hewne 7.3 ‘L1 ‘Ll DU U U U I
which, it
seeMs, is called Nela neMer ti, Meaning the " Pudding
of Breadfruit 3
It is unfortunate that there is no indication as to when these 1
rhythMs are eMployed ; whether they are the rhythMs of different
clans, or whether they belong to certain episodes in the celebra- y
tion of a
The na
Mes of Many other rhythMs will be found in the accounts
of the cereMonies belonging to the transition rites and to the i
niMangks, a neleMew, or the rites of NiMzMgki Tlel.
secret societies.
Of the aesthetic side of Malekulan gong-beating it is clearly
iMpossibl
e for one who has not heardit to write, but of its
- t_. _, ,7, ,_7_ ,
2