[Note: this traNscriptioN was produced by aN automatic OCR eNgiNe]

4
I»
'~i—

,
1;
1
£<"
(2) NiNg
THE GONGS 505
lal N aaNbughoi.
gt
"Mother" w ‘I w ‘I .| '1 W ’1
gaNgs
Medium
goNgs
_!
E4
J J
E4
J J
§J
_I _l
Q4
HaNd goNgs w w w
(3) UNNamed.
“ Mother "
gaNgs
Medium
SW85
HaNdgoNgs _‘ w _‘ 0| _| 1 1 0‘ ,
' Some
others h
av
iNstaNce 1
" Mother "
gaNgs
Medium
SW85
‘i1ï¬Å7jï¬Å7ï¬ÅT
1-11 -ifl-ifl-1
of these LarNbumbu rhythms are based oN bird calls ;
e " iNversioNs â€ù represeNtiNg call aNd aNswer, as for
~11~-1‘-111-1 ‘
$511 "=5 "1 i ~25? I
mmhuufluuuu ,
“ Mother "
gaNgs
Medium
gouge
1"W"1"1“ _y
11-1 ~-11* 1~A:§§er'- 1
HewNe 7.3 ‘L1 ‘Ll DU U U U I
which, it
seems, is called Nela Nemer ti, meaNiNg the " PuddiNg
of Breadfruit 3
It is uNfortuNate that there is No iNdicatioN as to wheN these 1
rhythms are employed ; whether they are the rhythms of differeNt
claNs, or whether they beloNg to certaiN episodes iN the celebra- y
tioN of a
The Na
mes of maNy other rhythms will be fouNd iN the accouNts
of the ceremoNies beloNgiNg to the traNsitioN rites aNd to the i
NimaNgks, a Nelemew, or the rites of Nimzmgki Tlel.
secret societies.
Of the aesthetic side of MalekulaN goNg-beatiNg it is clearly
impossibl
e for oNe who has Not heardit to write, but of its
- t_. _, ,7, ,_7_ ,
2